Feature Artist – Olga Kay-Grigoriev

Posted on May 1, 2024 by vipthings2014

Wood Carver Defying Her Limits

by Sandra Marshall

Olga Kay-Grigoriev had a varied early work career, first in non-profit, education sectors and motherhood. During those years art has always been close to her heart as she painted when she had free time. Olga now devotes her energies to painting and sculpture and especially to carving. In 2020, she answered her artistic calling after she retired as superintendent of education for the Ottawa Carleton District School Board.

Olga enjoys working in oil and acrylic, as well as print-making. At the Ottawa School of Art she recently added figure drawing to her skillset. However, the challenges of three-dimensional art have captured her spirit. She has built sculptures in papier maché, clay and metal, but she is most enthused while carving wood!

Olga Kay-Grigoriev’s passion for sculpture began in 2020 as she adapted to her new rural environment north of Ottawa in Val-des-Monts, Quebec. Trees surrounded her. They were her solace and her company.

Trees offered plentiful wood to carve, however, as she had never carved before, she sought advice to get started. Happily, a long-time artist friend and Toronto-based instructor offered his support. Step-by-step, he helped Olga make her first wood carving, a fantastical woodland dragon.

Another of her first figurative pieces, “She Hears Crow Songs”, is a favourite. “It was a difficult time for me then and I immersed myself in my work to have a concrete focus.” The sculpture was a “stretch goal” which she was uncertain she could attain, as it seemed beyond her skill level and she was carving on her own during Covid isolation.

“I took my time with every part of the sculpture, learning first about general body proportions, then how to carve specific details like the nose, mouth and eyes. I feel the piece is a good beginning effort and it conveys emotion and tells a story. The crow is a recurring theme in my work .”

Kay-Grigoriev was empowered by her new skills and continued to sculpt figurative pieces, telling her life stories of joy, love, loss, and sorrow through them. These emotions animate her sculptures of nature, animals and people. Abstract figurative sculptures populate the garden of her mind. “Sometimes thoughts and feelings just need to be worked out with a mallet and gouge.” A favourite shape could engage her imagination. And she might create a horse, a leaf or an ear.

The horse head sculpture is another that she is proud of. She chose to work from a live horse model in order to understand its proportions. She advertised locally for willing horse owners and received invitations to come and take measurements. The horse named ”Mjumaj “, was a good sport and was very tolerant of her ruler and calipers. This piece required reducing the horse’s proportions to a smaller piece of leftover timber.

Olga especially enjoys carving, perhaps because of its risk. “You must be completely focused on what you’re doing in order to avoid injury or lose a piece of your work.” Wood carving is a significant challenge: “Each time I create something new, I push myself to take it a step further. I love the combination of different materials so I have been incorporating castings in gypsum cement into the wood carving , trying to create a smooth transition between the two.” Her favoured wood species are pine and cedar and likes basswood for its consistent grain.

One of her preferred tools is the Lancelot, a round chainsaw which she uses to rough out the form and to add texture to pieces. She also uses it to add detail and movement to her birds. ”It’s somewhat dangerous to use because of the kick back, but it is effective.”

Kay-Grigoriev had the good fortune in 2022 to study sculpture in Florence, Italy. Over the period of a month, she took courses at the Leonardo da Vinci school and toured galleries in the heart of the Renaissance capital, marveling at the huge blocks of marble carved by the masters – without the modern tools and conveniences available to us now. She delights in that exposure: “Their work was exquisite, precise and hugely inspiring. While I generally like to work quickly and loosely, the time spent in Florence made me appreciate the value of slowing down and getting it right. I worked with clay during this time and learned to make molds , which I now use to add different elements to my wood designs. I love the juxtaposition and transition to different media within one piece. Wood next to cement or metal is particularly appealing to me.”

Olga begins her process with an idea which she draws or models as a maquette. Then, she searches for wood with suitable characteristics. Each piece, whether salvaged or harvested from the forest, has its own unique qualities which need to be considered for the project at hand. Size, grain, shape and hardness are all taken into account. The bark is stripped and the preliminary drawing is transferred to the piece.

The first tools to be used are from the chainsaw family. These cut away large portions of waste material. After some time spent at this stage, a roughed out form starts to emerge. Then Olga moves to a smaller sized round chainsaw. When creating many abstract figurative pieces, she employs a shaping disc with a regular angle grinder.

She also likes to use a die grinder with a variety of different burrs. This tool gets into the smaller spaces and allows for more detailed work. Hand carving with a mallet and gouge often comes next, depending on the grain and the look she is trying to achieve. The more detailed the piece, the smaller the size of gouge used.

Finally she is ready to sand and oil the pieces. For outdoor pieces, she has been experimenting with “shou sugi ban”, the Japanese method of wood preservation, which chars the wood with a propane torch.

If you would like to attempt wood carving, Kay-Grigoriev recommends starting with media that are easy to use like soap or Styrofoam before progressing to wood. This will help you understand the technique of removing material instead of building it up. Drawing practice will also help to visualize your work from different angles.

Most important, acquire some excellent safety practices from someone who is trained in operating the tools you’ll be using. Many of them are dangerous and that is not something you want to take lightly!

The favourite part of the sculpture process for Olga is when an idea for a new piece appears to her. It’s a creative light bulb. Everything is bright! Her least favourite part is the sanding. It’s tedious and painstaking, with sawdust flying everywhere. She is not fond of wearing the respirator mask either, but it’s essential during this stage. This is the life of an artist carver!

Kay-Grigoriev plans to complete some larger outdoor installations and she aspires to create art for public spaces. Next year, she will collaborate on a project with another artist. A show is in the works for 2025 which will combine paintings on canvas with complimentary wooden sculptures.

Olga is always open to new opportunities and welcomes commissions. Her plan is to keep honing her skills, along with her tools, and learning from carving masters wherever they are found.

You are invited to see her work currently at the Kanata Civic Art Gallery, the Galerie Old Chelsea and at her studio in Val-Des-Monts, Quebec, by appointment.

On Instagram, please visit : @mes_sculptures_en_bois

Posted in art classes, Art Shows, Art Workshops, Artist of the Month, Canadian Stone Carving Festival, ceramic, Ceramic Sculpture, clay artists, clay sculpture, Exhibition Opportunities, glass sculpture, Kanata Civic Art Gallery, learn how to sculpt, Member Event, Member Profiles, Metal Art, Miscellaneous, Network Show, Online Art Gallery, paverpol, polymer clay, sculpting workshops, Sculpture Atelier, Sculpture events, sculpture show, Stone Carver, stone carving, stone sculpture, The Boys and Girls Club of Ottawa, The national capital network of sculptors, Wood Carving, wood sculpture, workshops | Tagged , , , , , , , , , , , , , , | Leave a comment

Feature Artist – Maggie Wesley

Posted on March 1, 2024 by vipthings2014

Artist Explorer

by Sandra Marshall

Maggie Wesley is an artist-explorer, adapting traditional art forms, painting and sculpture to her own 3-D language. Her passion today is in using recycled materials in artistic ways.

Wesley’s creative life began on the family farm near Perth Ontario. Everything on the farm had a purpose, and she loved the challenge of giving a new life to the time-worn. Discarded cooking utensils, aged wood and farm implements have all become part of her three-dimensional creations.

Helping others is also intrinsic to Wesley’s nature. She began a career as a registered nurse with a psychiatry specialty. As years passed, her creative urge grew and drew her to a four year fine arts program at OCAD in Toronto. Initially attracted to painting, her real passion was found in creating three dimensional objects which honed her many skills in painting, carving and woodworking, talent that you can see in the work on her website https://www.maggiewesley.ca.

During her time at OCAD, she initially took woodworking courses to create stretcher frames for her paintings, but unexpectedly she fell in love with wood and the process of crafting three dimensional objects. At the time Maggie discovered the qualities of wood, she had been assisting her family in dismantling the old homestead and building anew. The discards provided her with a wealth of aged building materials that had acquired a natural patina and texture, that captured her admiration. The deconstruction of the old building offered plenty of old wood, wall board, plaster lathe and household hardware, inventory for many future 3D creations.


Wesley began applying paint to the 3D, often wood canvasses, to highlight shadows. She uses colour to emphasize depth of field. For Wesley, “Shadows allow the interplay between light and dark, highlighting contrasts, so important in my work. For me, shadows symbolize the passage of time.”

Initially Wesley’s sculptures respected the natural properties of the wood and found objects with a very limited palette. With time, she engaged differently with her recycled objects, experimenting with the introduction of colour for wood sculpture. If using recycled metal, then wood becomes her unifying medium and colour is an accent.

She loved woodwork as the old textures and patina came alive again under her lively imagination. Post-graduation, this was the impetus for designing a woodworking studio to concentrate her painting, carving and woodworking skills and recycling of materials into 3D art. This journey challenged her self-taught construction abilities as a worker and contractor. Happily, this new direction led to the acquisition of her artwork by the City of Ottawa and Nepean collections.

Then a new adventure began. Maggie states that “Once again, love guided my efforts.” She worked with her husband to build a new home, as they engaged their muscle in the many trades of home construction. She is resourceful- Her skills sharpened and expanded to harvesting trees on their rural Woodlawn property for cabinet making and finish carpentry. Since retiring from nursing in 2015, Maggie now directs her full attention to her art. She continues her 3-dimensional journey by participating in group art shows in Ottawa area galleries.

Always opportunistic, bicycle parts and gears became a theme for a series of work when the parts became available to her. She developed quite a collection while rescuing them from the landfill. Each of her pieces is refined and transformed until Maggie finds the sense of harmony that she seeks between decay and creation. She connects the history in the reclaimed objects in the reanimated story of her 3D sculpture. They may suggest a narrative of evolution and rebirth, of known spaces in past use. Her exploration of known spaces, past history, and more recently the human figure, allow the viewer to connect on a more personal and emotional level.

Wesley’s favourite project activity is when she is challenged to see and connect with the art potential in her found objects. Her problem solving work requires multiple tools – chainsaw, drills, Dremels, chisels and other tools, each requiring a different and new skill set.

Recent pieces were assembled using old woodworking planes. These unique sculptures allow the spirit of these handmade planes to continue life as artwork.

Over time Maggie’s works have grown smaller, but her diverse tool skills allow her to see opportunity in working on larger objects. An opportunity to acquire multiple boxes full of rusted 1930 car parts has Maggie enthusiastic about her next sculptural adventure “I love the texture and forms of those parts” They inspire the creation of a new sculpture series.

See more of Maggy’s work at www.maggiewesley.ca

Posted in art classes, Art Shows, Art Workshops, Artist of the Month, Canadian Stone Carving Festival, ceramic, Ceramic Sculpture, clay artists, clay sculpture, Exhibition Opportunities, glass sculpture, Kanata Civic Art Gallery, learn how to sculpt, Member Event, Member Profiles, Metal Art, Miscellaneous, Network Show, Online Art Gallery, paverpol, polymer clay, sculpting workshops, Sculpture Atelier, Sculpture events, sculpture show, Stone Carver, stone carving, stone sculpture, The Boys and Girls Club of Ottawa, The national capital network of sculptors, wood sculpture, workshops | Tagged , , , , , , , , , , | Leave a comment

Artist of the Month – Helen Rogers

Posted on June 2, 2023 by NCNS admin

Bold sculptural inspiration with mixed media

by Sandra Marshall

Helen Roger’s love of art is evident in her vibrant expansive multimedia works with her signature
bright mosaic gems.

After a university training in education and psychology, Helen Rogers quickly determined that teaching art would be her calling. Her lifelong passion for art was furthered when she took a teaching sabbatical to follow studio art courses. Helen returned to teaching art, while also exploring more art workshops and courses in Alberta, British Columbia and the State of Washington in which she mastered the techniques of
watercolour, acrylic and oil painting. Helen was inspired by work in 3 dimensions and she joined the Sculptors Association of Alberta, improving her skills sculpting solid materials: wood, clay, concrete, stone, welded steel, and ice. Always weaving her new skills into her art classes, Helen soon realized that sculpture was her artistic element. Even her two dimensional art is livened with elements of sculpture.

Rogers continued teaching art until she retired and she and her husband moved to Ottawa from Alberta to be closer to their daughter. In her new Ottawa environment, Helen joined several art groups – the Ottawa Mixed Media Artists, Ottawa Arteast, National Capital Network of Sculptors – exploring many different materials and new perspectives. But a trip to Italy and Spain kindled a love of mosaics, especially the massive mosaic works of Nikki de Saint Phalle and Antoni Gaudi. The spark that they kindled inspired Helen to teach herself this craft. She attended mosaics conferences and workshops to enlarge her perspectives. Today they form part of her
signature mixed media sculptures.

Helen Rogers rarely begins a project with a plan. Her “supply” room provides the inspiration –
as her daughter says – “Creative people never have a mess, they just have ideas lying around
everywhere“. She connects a few scraps with others until an idea takes shape and art emerges.
The spark is ignited and she know exactly how to proceed. Sometimes this happens during a
sleepless nighttime period of incubation where she discovers her solution and can then sleep in
peace. But in one less peaceful mosaic project, she employed a black grout and when she
realized that the grout should have been white, it was too late to go back! Usually her work in
the construction phase can be undone, but not with cement grout.
Lesson learned.

Helen says that there is no philosophical meaning in any of her sculptures. The onlooker can decide what they see. If a viewer is curious about the process, Helen is happy to explain: Step 1. Choose a substrate. In the case illustrated, a construction tube has been cut up and taped together to form the base structure.
Step 2. Cover the structure with plaster-infused bandage, adding more texture as needed. Step 3. With tile adhesive, apply mosaic materials such as pieces of stained glass, tiles and mirror to chosen parts of the sculpture surface. Then apply grout to all this and then wipe off the excess and leave overnight to harden. Next day, Helen adds crushed tin foil to some of the sculpture using a glue gun. She adds embellishing materials- glass beads, wire, eucalyptus
seed pods, pieces of copper, and anything else that might work to finish the surface to her satisfaction. Lastly, she decides when enough is enough and declares the sculpture finished!

Helen Rogers has no concrete plans for her art, except to enjoy the process of making, and she
is quite content with that. Helen does not like marketing and has decided that she doesn’t need
that stress. Post covid recently, she felt privileged to be able to conduct a two day mosaic
workshop at the Boys and Girls Club. Ten children of various ages participated in the workshop:
One foot square IKEA mirror-frames donated by a member of Ottawa’s Network of Sculptors
were used as the mosaic ground. Rogers had assembled many different coloured tiles and
glass beads for the kids to mosaic the mirrors. Their imaginations were inspired. They all had a
wonderful time!

Her advice to novices is to do what you enjoy doing. Whatever art you enjoy, just do it! Helen knows both artists with formal training and those without can be equally successful. Selling your art requires marketing skills. Sometimes not-so-great art can sell with great marketing. So if you want to sell your art, learn good marketing skills or find someone to do this for you.
One thing Helen Rogers is sure of – She LOVES building things from scratch. If it becomes a successful work of art, that is a bonus!

See more of Helen’s work at http://www.Helenmosaics.ca

Posted in art classes, Art Shows, Art Workshops, Artist of the Month, Canadian Stone Carving Festival, ceramic, Ceramic Sculpture, clay artists, clay sculpture, Exhibition Opportunities, glass sculpture, Kanata Civic Art Gallery, learn how to sculpt, Member Event, Member Profiles, Metal Art, Miscellaneous, Network Show, Online Art Gallery, paverpol, polymer clay, sculpting workshops, Sculpture Atelier, Sculpture events, sculpture show, Stone Carver, stone carving, stone sculpture, The Boys and Girls Club of Ottawa, The national capital network of sculptors, wood sculpture, workshops | Tagged , , , , , , , , , , | Leave a comment

Artist of the Month – James W. Cook, Ephemeral Sculptor

Posted on April 7, 2023 by mariasaracino

by Sandra Marshall

James W Cook was born in Sudbury and grew up in Kirkland Lake. Always a natural in the visual arts, he always excelled in all art classes at school. Anything to do with visual arts, it seemed that he ‘’knew it from somewhere’’ and launched right in enthusiastically.

In 2012, Cook lost his last day job and has been a full time artist ever since. Operating out of Sudbury, he sculpted his first pieces in ice during the winter of 2015. In the spring of 2016, he moved to Ottawa, a strategic move placing him close to Winterlude for carving ice and Merveilles de Sable for sand, and for engaging the city’s vibrant arts scene.

Snow had been his main medium for exploring sculpture. Sand was always fun for him too. Cook expanded and refined these as more ephemeral additions to the other mediums he uses. He surprised himself in the enjoyment he found carving with limestone and soapstone and he wants to explore these more.

His imagination is limitless: If it leaves a mark on canvas or any surface, he will explore it. If given the opportunity he will turn shapeless objects into a desired shape using whatever tool is available. James has published cartoons, courtroom sketches and oil paintings. He has won 1st place in two snow sculpting contests, 1st place in one pumpkin contest, and a People’s Choice award  for ice.

Cook depicts his visual arts venues like a musician describing his next gig. As the visual music fades in one area, he begins another. As a touring ephemerals sculptor, James ranged further and further afield until a variety of Canadian venues and one in Europe had been visited: The Smiltis Skulpturu Park sand gig in Jelgava, Latvia.

The Smiltis Skulpturu gig was the only one to seem to come out of the pandemic so unabashedly. It was the surprise of 2022 with just 2 months between receiving the invite by email, the acceptance of his entry, and completing the project for an otherwise barren 2022 season.

He normally has these events booked 3 or more months ahead of time and has multiple stops booked. Cook hopes to sculpt in Latvia again in 2023 with an artist’s residency there, or find other European sand gigs in close proximity on the calendar to the Smiltis Skulpturu event.

James Cook’s art is spontaneous and even he can’t fully predict what his own entry will be. It could follow a theme chosen by the event that he is sculpting for, or a controversial media subject. Or he might develop a theme inspired by a happenstance word or action of someone else. Or the theme could be based on his own experiences.

His process begins with a question: Can it be made with the type of material proposed? For a sand sculpture, the three dimensional design must stay “inside a pyramid” for obvious reasons.

When using stone Cook wants to make small sizes,  unless he has good lifting devices for moving the weightier pieces.

Snow varies wildly in texture and feel with temperature and humidity and the structure and the artist must comply with those conditions of wetness or coldness.

Ice is absolutely seductive, but it is easily fractured. The number one critical objective is not to bump it while at work. A small break on an ice project might be fixable, but he’s seen disaster and complete projects crumble within the last minutes before the competition end bell. James is stoical – It happens, a part of learning what the medium can and can’t do.

Ephemeral sculpting is an outdoors occupation. Winter brings cold and blizzards, and Yellowknife is definitely best taken on with a down-fill parka. In Jelgava, November weather prevailed with high winds and heavy rain. James’ sand project there failed, but for him the experience was priceless. It made him determined to tame that moody Baltic sand. Summer sand sculpting calls for a wide-brim hat, UV protection, and sometimes, a good rain coat.

James lives  with Asperger’s syndrome and is ADHD-Inattentive, and these symptoms were not revealed and treated until this advanced stage in his life. He lived a mostly marginalized life over the years, his working and professional life had looked like some kind of Wile E. Coyote with a checkered employment history and an art career that faltered more than flourished. Cook closed his door on all conventional means after losing his last job, and dove full time into the visual arts,  knowing the sacrifices and what he was going to have to do. As he explained ‘’I am good in the visual arts, and I know it. Nobody can take that away from me’’.

Looking forward he states ‘’I’ve had one offshore gig now, and there will be more. I have a diploma in graphic design, and I’m looking at another in animation, a venture that will add digital and cinematography to his repertoire of mediums. Now that I’m into my 60’s, visual arts will be my hustle until they find me horizontal with a chisel in my hand.”

For those who would consider sculpture, Cook advises that you need the drive.  To alter the shape of something by whittling, chiselling, or moulding is usually instinctual and spontaneous. ‘’Follow your heart. Educational options vary from day courses in wood and stone carving, and blacksmithing to a college diploma in a creative field. It is your personal choice. How much attention do you wish to pay to the trade and how far do you want to go.  It’s like that AC/DC song, “It’s a long way to the top…’’

James does not have any pieces in galleries at this time as he operates mainly as a roaming artist (no permanent studio) and mostly works exterior venues in winter and summer. He does hope to explore stone sculpting further and build an inventory.

Facebook Page:(11) James W Cook | Facebook

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Artist of the Month, Bernadette Alcock, Lifelong Exploration

Posted on March 3, 2023 by mariasaracino

by Sandra Marshall

Bernadette Alcock holds fast to the creative drive of her family. She has great love and respect for the crafts that her mother and grandmothers taught her. Equally important, these women showed her that for a successful life, one should never give up.  Bernadette considers herself fortunate to have been surrounded by these strong women. They lived the notion that success is about feeling good about yourself. 

Bernadette has travelled from coast to coast in Canada and abroad, with opportunities to spend vacations in warm-weather seaside locations.  Wherever she went, she sought out art galleries to learn and explore on her journey. Her passion for learning and creating continued in graphic design, business analysis, social media marketing, chocolate making, landscape design, gardening: All types of art, be it painting, felting, fused glass, knitting, or sculpting. 

Bernadette pays close attention to her environment and observes what others may overlook. Nature’s energy inspires her, and she becomes engrossed in the subject she is sculpting, forgetting all else. Continuous learning is another important part of her process. An example is her discovery of liquid polymer medium which was developed in Europe in 2012. Bernadette has been captured by its sculpture potential- learning the techniques through in-person workshops and perusing the literature and art magazines.  She became a certified instructor in 2014 and has led many workshops. During Covid, Google became her best avenue in finding online workshops and inspirational ideas.

Bernadette enjoys the three-dimensional possibilities of liquid polymer and wire sculpture.  And she also relishes transforming objects and recycling from natural fabrics and old jewellery. In fact, any natural product: wool, hair, leather, even floral all inspire her compositions.  Her creations are fun, decorative pieces in the home -or in the garden where the polymer medium protects them from the outdoors. Up cycling for Bernadette is a fun way to not only reduce waste and carbon footprint. She can look an object that has seen better times and give it a new life, a reward for her.  Bernadette loves creating sculpture.

Paverpol and Powertex are the two main polymer products Bernadette uses.  They are eco-friendly, non-toxic textile hardeners developed for natural fabrics.  Her boundless imagination finds the possibilities to be endless.  As a universal medium for all artwork, sculpture, painting, and decoration, it can be used on canvas, textiles, paper, cardboard, plush, leather, fiberglass mat and all natural materials. The polymer can be perfectly combined with self-hardening clays, concrete, stone, ceramics, wood, sand, stone, even waxes. 

Her portrayal of women, young and old, suggests the historical inequality between the sexes, her way to ensure that gender equality remains a focus. She shows children as free spirits with expressive character and enthusiasm. Her days are brightened when creating them. 

Bernadette prefers to create with her own ideas and feels more freedom to experiment with subject and mood. When she started the sculpture process, women and children were always her source of inspiration.  Everyday life- sports, music, and dancing – was the source that was integrated into her work.  She selects bronze or black as the base polymer colours, which she enlivens with added colour and detail, part of her unique style.  She often employs many different types of fibres in her sculptures. Their texture adds enticing detail to work.

Perhaps it is the functional mechanisms of clocks and bicycles which pique Bernadette’s curiosity. She adds them to her collection for possible incorporation into her work, where they become functional, eye-catching ensembles. Bikes also embody asense of adventure and exploration, the thrill of riding free of cars and experiencing breathtaking views. Bernadette sees the bicycle as a powerful symbol of hope. Riding a bike spurs her creative process, connecting landscape with art and design.  Bicycles symbolize that intersection.

Often, an art enthusiast hesitates to bring a sculpture home because of a perceived limitation of placement. Bernadette suggests that how one displays a three-dimensional piece is often as important as the artwork itself. It can sit on a pedestal, shelf, be suspended from a ceiling or integrated into the outdoor landscape.

To start in the liquid polymer medium Bernadette says ‘’Start with an idea! ‘’  No matter what the subject, even abstract, think about the story of how it got in that position, what happens after that moment in time? Good Art flows from good design. I would estimate that by the time I start building a sculpture I’ve spent as many hours designing it (in my head) as it will take to physically build it.  Secondly, think about how to make it structurally sound.

I use wire to build my armatures.  The wire armature is key to the success of my sculptures as it not only holds the sculpture up but it’s the armature’s pose that will tell the story you want your sculpture to tell.   The armature also performs a very practical role in that it holds your sculpture up. Therefore, you need to make sure that you build in any structural elements necessary to support the weight of the sculpture or any extensions to the sculpture. I.e. any objects that you figure may be holding or carrying. Wire is a magical support for this medium because it can support the light weight of the polymer medium and has the flexibility to allow the many gestures that the sculpture can assume.

Be brave, experiment, the possibilities are endless!   There are no mistakes in art, and many  happy accidents. The sentiment that Bernadette feels when it is complete is joyous.

Bernadette connects with others at art exhibitions through conversations about her process- idea-conception-building.  Each sculpture’s story and energy engage people to identify with it and to share it with others. Those connections are strongest when children are part of her piece,  reminders of a child or grandchild. Each time a new member arrives into her family, a new sculpture is requested.  Faces light up with happy nostalgia when Bernadette incorporates a special vintage toy or childhood object.

Commission work is often intimidating for Bernadette, as she wants to connect with the client’s emotions and thinking.  First connections are the rock on which understanding grows.  Talking about reference photos, questions about details and intended placement are all important to better understanding.  People want to take pieces home because of an emotional bond, a cherished memory.  It is a thrill and breath-holding experience when clients first see their commissioned piece. 

You can see more of Bernadette’s work at https://www.gardeninspirations.ca/gallery

Posted in art classes, Art Shows, Art Workshops, Artist of the Month, Canadian Stone Carving Festival, clay artists, clay sculpture, Exhibition Opportunities, learn how to sculpt, Member Event, Member Profiles, Metal Art, Miscellaneous, Network Show, Online Art Gallery, paverpol, polymer clay, sculpting workshops, Sculpture Atelier, Sculpture events, sculpture show, Stone Carver, stone sculpture, The Boys and Girls Club of Ottawa, The national capital network of sculptors, workshops | Tagged , , , , , , , , , , , , , , , , | Leave a comment

Artist of the Month – Terry Schaub, Stone Sculptor

Posted on February 3, 2023 by NCNS admin

by Sandra Marshall

A most important aspect for Terry is that his sculpture tell a story – to inspire, to captivate, and draw people in – to ask questions. He wants the work to have an intention and a feeling and hopefully elicit a response.  A great example of that is when he noticed a young boy stick out his tongue in response to the outstretched tongue of a sculpture. He loves that his works raise a reaction from the viewer.

The love for the work was soon recognized by galleries and collectors. In 2006 he had his first show. Since that time he has been in multiple galleries and has seen his pieces bought by collectors from around the globe. In 2011 his piece, “It’s The Little Things”, was presented at the United Nations Convention on Biological Diversity and now resides in their Museum of Nature and Culture in Montreal. The next year,  he was commissioned by CFB Trenton to commemorate the return of a WW2 bomber to its home base. The stone sculpture which was presented to HRH Prince Edward for his private collection.

Terry started buying rough stone from Ottawa suppliers and then built himself a studio, attached to his home. In time he started importing stone from different countries. He warehouses a large quantity of rocks from which he selects the one which most speaks to him through its veining, incidental colours, form and size. He might sketch some ideas on paper and sometimes, to get the creative juices flowing, he may mark the stone with a sinuous line to set his cutting direction. Making bigger pieces is a challenge that makes him happy. For the crouching-bear-and-orca piece that he is working on now, the ice slab alone weighs 80 pounds.

In 2019 at age 52, Schaub required major surgery for metastasized cancer. He spent the next day, his 53rd birthday, in a hospital bed wondering if he was going to live. He credits his wife, Kelly, for the fact that he did survive. Recovery was long and hard. It was another turning point for his life and his art.

Though he was putting almost full-time hours into the art at that point, he decided to leave 3M  and make art his sole focus.

Each stone has unique qualities: East Indian soapstone has an incredible variety of colour.  The harder stones such as alabaster, chlorite and fluorite are more challenging to carve. All of the stones take a commitment of time. The harder the stone, the more intricate the carving, the more time it takes to complete the piece. Once the rock is chosen, the hard work begins. He studies it for its shape, balance, contours, holes and other features.

Terry Schaub feels at peace when he is carving. He might work from early morning without breakfast and rarely stops for breaks. One day he was in that flow and remembers when his wife came to knock on the door and asked him if he had finished yet. He thought that it was almost suppertime. She surprised him by saying ‘’No, its midnight.’’

Rough shaping begins with reciprocating saws and a large angle grinder with an 8 inch diamond blade. Then he might use an electric Foredom tool, for which he estimates he has about 200 bits, and shaped files called rifflers for smaller details. Then a marathon of sanding starts- often more than a week to work through different coarseness of sandpaper from #200, #300, #400 grit to the finest #2000 as he smooths the surfaces. It has taken him time to appreciate the long periods of sanding. The small changes made by each higher grit becomes a lesson in patience and a time for reflection. Then he reaches the magic time when the sheen appears on his sculpture.  Polishing brings out the colours and veining. He adds beeswax, tung or linseed oil, clear coat lacquer or rendered fat to give the work a sheen and bring out the rich colours that the rock previously lay hidden.

Terry has exhibited his work in at NCNS show in the Museum of Nature many other galleries such as OWAA , Shenkman Art Center, Gallery on the Lake, Remington Art Museum in NY,  O’Connor Gallery, Gallery 6, NAK’s Ottawa Gallery and Patrick John Mills.

As most artists know, Covid stalled everything. People were not spending on art, so it is now a time to reboot with new works.

Terry suggests that, to a newcomer to this art, education and experience are not necessary to start the journey, but the love to create is essential. Persistance is required!

For more of Terry’s work visit:

www.twchaub.com

https://www.facebook.com/terry.schaub.37

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Artist of the Month – Eiko Emori – The Magic of Glass

Posted on January 13, 2023 by mariasaracino

by Sandra Marshall

Eiko Emori’s glass sculptures are based on a unique craft called pâte de verre, in which grains of glass are heated together in a high-temperature plaster mould to fuse them.

She was first attracted to glassmaking when admiring the colourful work of French artist, Émile Gallé, whose factory produced remarkable examples of Art Nouveau, and she wanted to learn more about glass work.

Japanese born Eiko earned a Masters degree of Fine Arts at Yale University and a Diploma in Design at the London Central School of Arts & Crafts. She also studied in France at Académie Grand Chaumière and worked as a graphic designer in Tokyo, New York and Toronto. She came to Canada in her mid-twenties, settling at first in Toronto and finally in Ottawa. Eiko’s graphic design expertise is in book design, including type and typography.

In the 1990s, she returned to Tokyo to support her mother. At that time, the glassmaking craft was located in a ward of Tokyo and Eiko took advantage of the opportunity to learn more about these arts. Following classes offered at a glass factory, she became enamoured of the pâte de verre process. When she returned to Canada, she carried on with this interest, refining her skills.

As member of the Royal Canadian Academy of Arts, and Graphic Designers of Canada, Eiko continued in her graphic design business in Ottawa. She also began to develop her skills in working with glass, a process totally different from print media, in which the final product closely resembles the final sketch. She explains that working with pâte de verre is a collaborative process between the artist and the glass. In 2021, Eiko’s work was recognized by the Pattie Walker Memorial Award for excellence in architectural glass from Crafts Ontario and has also received an Ontario Arts Council Individual Craft Project Grant.

Glassmaking originated in the Middle East where artisans would gather sand from the desert and fuse the silica particles in hot wood fires. Unlike glassblowing, pâte de verre is a process of glassmaking that has relatively few established rules and examples. As a result, Eiko’s work continues to evolve, as she tries different approaches.

Movement in Blue Green – 41 x 33 x 8cm

Eiko describes the first part of the pâte de verre process as similar to the labour intensive preparation for bronze sculpture. First she makes a wax sculptural form. She then prepares a high-temperature plaster using a recipe that she developed through many iterations. The mould must be strong enough to tolerate the high temperatures needed to melt the glass.

The next step, the plaster removal process, is very tedious. Even with the help of electricity and a computerized thermostat, pâte de verre is still very time-consuming and cumbersome. She is not surprised that the technique was completely abandoned for two thousand years until it was revived in the early 1900s in France. However, Eiko is excited to see the piece emerge from its hard cocoon in the last stage. She sees glass as her partner and is happiest to see the piece emerge more beautiful than expected.

Eiko was trained in seeing as a child by a well-known painter, Takuji Nakamura, father of a classmate. He was a strict teacher, and encouraged his pupils to keep on drawing. She continued drawing throughout her formal art education. Eiko reminds students who wish to take up visual art that basic training in seeing is essential. Keep practicing, as this develops the critical hand/eye coordination of a skilled artist.

Eiko’s work is shown at the Foyer Gallery and Craft Boston. You can also see more of her work online at http://www.designerglassstudio.ca. These images are examples that show Eiko’s unique work. They are the results of her experiments in varying the method of plaster investing and temperature control of the kiln.

During this process she carries on a conversation with the glass inside the kiln.

Little Woods – 33 x 46 x 33cm

Posted in art classes, Art Shows, Art Workshops, Artist of the Month, Canadian Stone Carving Festival, ceramic, Ceramic Sculpture, clay artists, clay sculpture, Exhibition Opportunities, glass sculpture, learn how to sculpt, Member Event, Member Profiles, Metal Art, Miscellaneous, Network Show, Online Art Gallery, polymer clay, sculpting workshops, Sculpture Atelier, Sculpture events, sculpture show, Stone Carver, stone carving, stone sculpture, The Boys and Girls Club of Ottawa, The national capital network of sculptors | Tagged , , , , , , | Leave a comment

Celebrating Rosemary Breault-Landry

Posted on December 1, 2022 by mariasaracino

Read the story of Rosemary’s bronze sculpture of Canada’s first indigenous Senator, James Gladstone “The Gentle Persuader”. He was a lifelong advocate for Indigenous rights and he helped secure the vote for his people. Congratulations Rosemary on this wonderful recognition!

Read the full story in the Senate of Canada newspaper at:

https://sencanada.ca/en/sencaplus/how-why/meet-the-sculptor-who-memorialized-the-senates-gentle-persuader/?fbclid=IwAR3Xo5A60xF7WKmoE53IZ1ZWD1iaakdaOkCzv5rHdiJSx7Sz3LrEp99KmR0

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Celebrate Ottawa

Posted on November 9, 2022 by mariasaracino

Thank you to Leila Grein and the team at Rogers for a great segment on Celebrate Ottawa. Although the Fall Sculpture show is over, there are still several sculptures on display by NCNS artists. It’s well worth the trip out to Westboro and the NAK Gallery.

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Artist of the Month – Colette Beardall – For the Love of the Wild

Posted on November 4, 2022 by mariasaracino

by Sandra Marshall

Colette Beardall was born in the sixties when Toronto was still considered a grouping of small towns with friendly neighbourhoods rich in culture. Her parents had immigrated from Germany and established businesses in Toronto. She was always surrounded by art experiences growing up. Besides enjoying music concerts, her mother excelled as a professional dress designer. Concerts and excursions to the ROM and art gallery were regular outings.  Beardall remembers her youth as always being involved in some sort of artistic or animal rescue  adventure.

The Colour Has Faded

She had to drop out of high school to take care of her mother who had developed dementia following a car accident. Her father had died the previous year, so there was never time to go to art school or pursue higher education. However, she is proud of the fascinating jobs she undertook throughout her youth. Punk band bass player in the 70s, and jobs such as wardrobe head on feature films and in other capacities on film sets. During the time she was working as a legal secretary, she met her husband.

After they married, the couple settled in the Yukon and were entranced by the wild north. Her husband had a position as a federal prosecutor based in Whitehorse and travelled regular circuit courts. During that time Colette was a new mother and interested in learning native crafts such as moose hair tufting, bead work and creating traditional northern parkas. Living, hiking, horseback riding and driving in the  wild splendours of the Yukon and Alaska strengthened her love of nature. Then following an eleven year sojourn in Alberta, they moved again, settling in the town of Metcalfe, south of Ottawa, where they raised two children and a lively animal menage including her beloved miniature horse Montana.

I Am Your Shelter

Covid has put a blanket on travel for Colette, but she is happy living with her dog and horses on their little five acres of woods, which has brought her into closer contact with wildlife than she expected. Her backyard woods have been home to foxes and temporary shelter for porcupines, bears, raccoons, skunks, stoats, coyotes, and multitudes of birds. That has been her pleasure and respite: in the woods soaking in the atmosphere and watching the seasons change. She considers that has been a great influence on her work.

Throughout her adventuresome life, she has explored different art mediums, searching for something to suit her unique interests. She loves woodworking and sewing, but felt her efforts paled in comparison to her mother’s skill and her father’s furniture design and refinishing abilities.

When the Beardall children were very young, the family had settled in St. Albert Alberta for a time, which Colette felt was fortuitous. The city’s vibrant art community boasted a beautiful municipal centre designed by Douglas Cardinal. Mother and daughter registered in mom-and-tot clay classes and her interest in clay really just evolved from there. Her skills developed, so that soon enough she started teaching at the St. Albert Potters Guild when her son began half days at school. She taught kid’s and adult hand building classes and created school board art curriculum. Colette also enjoyed some local success as a potter. But her love was always sculpture , an attraction which had begun when she was a youngster.

 In 1971, family friend and professional sculptor artist Sigfried Puchta sculpted 11 year old Colette’s likeness and in so doing, set her artistic direction: Puchta gave Colette her first lump of clay and asked her to make something in time for their next sitting. She made a torso of a male figure on one side and a female on the reverse. Watching Puchta’s face as he studied it, she remembers his words to this day. “You have a gift. You need to pursue it”. It’s taken her time, but she is now firmly dedicated to figurative clay sculpture.

For Colette, the process of sculpture begins when she is moved by an engaging news story or conversation, She imagines it in a sculptural context and seeks to express that emotional quality in her work.  For example, concern about difficult historical events engages her feelings and is  translated into her art. The sculpture Nightingale Whisper, a prize winner at the national . Figureworks Exhibition this year is a powerful example of the haunting tragedy in the Ukraine. She does not make for the sake of making, and says that is why she finds that she is slow in producing new work.

Nightingale Whisper – Figureworks 2022 Honorable Mention

Clay is a fantastic, soft flexible medium. If a piece is not working for you, you can reclaim it before it’s fired. So nothing is really lost. And maybe some ghost in the previous work finds itself adding to the work to come. If she is feeling blocked, Beardall simply rolls newspaper into shapes and ties them with masking tape to solidify a form. Other times, inspiration may be a rough sketch of an animal. The best way to move forward is to just start making. And if it’s not working, smoosh it and start again.

For Colette today, the most difficult part is starting. Bur near the middle of the creation process, she engages. Previously she really disliked glazing because it so often can take away from and ruin a piece on which you’ve spent a long time. But she has refined her method and now is excited by her new technique. She began using lots of clay slips, engobes and oxides to colour the clay and then firing it to higher temperatures. She finds this method is great because it makes the work stronger. Beardall is also known as a raku artist, but it is a low firing method and the pieces can be delicate.

Clay is a medium where you will never know everything and of course, in her opinion that is a great thing. It is a lifelong adventure of learning.

Curled Baby Fox

Every sculpture Colette makes will have a different emphasis and motivation, but animals are one theme that she returns to often. She quotes her hero David Bowie. ‘I don’t know where I’m going from here, but I promise I won’t bore you.’

As a self-taught sculptor, Colette Beardall has taken workshops in every aspect of the medium – except sculpture  strangely enough. From throwing workshops to hand building classes and glazing studies, she feels that she always comes away with some kernel of new information. She advises her own students to learn from many other teachers. Each will impart something unique, and some will speak to you more personally than perhaps another. Read on the subject. Working in clay requires many steps. Practice, practice, practice. If you are doing figurative sculpture, devour a good anatomy book.

Challenge yourself.

https://www.colettebeardall.com/

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